Inventor Spotlight: Nicole Hone

Hydrophytes – 4D Printing from Nicole Hone on Vimeo.

 

Industrial Designer Nicole Hone uses multi-material 3D printing to design movement into her objects. Hone’s exploration is not only beautiful but is likely to have very practical applications.

 

TAKE IT FURTHER

Nicole Hone featured on Design Boom

Janine Benyus on Biomimicry

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The Intersection of Craft and Technology at Haystack Mountain School

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Haystack Mountain School of Crafts on remote Deer Isle, Maine was founded in 1950. I had the pleasure of visiting it recently and was delighted to see that they are exploring the intersection of digital technologies with craft.

Glass Instructor Helen Lee is using a microcontroller with an accelerometer that gives audio feedback to glassblowers as they learn to level their rods (upper left).

MIT’s Center for Bits and Atoms has implemented a Fab Lab – the only fab lab in a school of craft. They are building a 3D printer for ceramics (lower left), exploring digital mold making, as well as other opportunities for infusing traditional craft with digital tools.

Metalsmithing Instructors Arthur Hash and Elliot Clapp are integrating circuitry and electronics with jewelry and other wearables.

All of this magical exploration is set on a coastal mountainside overlooking the sea. A place of dreams.

TAKE IT FURTHER

Learn more about Haystack Mountain here

Toggling between 2D and 3D

Artists and inventors transform dimension. They make a 2D sketch, then build a model of that sketch in 3D. They build a 3D environment, take pictures of it to use in 2D images. Autodesk 123D had a feature that took your 3D model, sliced it up into 2D pieces that you would then cut from a flat sheet of material and reassemble in 3D.

This toggling between 2D and 3D gets even more interesting when you introduce soft materials. In the example above from Prosthetic Knowledge, they are making 3D models in CAD, processing them to generate a one-piece cut pattern for fabric, then using a jig (of that same cut pattern) to attach zippers to the patterns’ curvy edges so that it can be reassembled in 3D. The result has a topographic quality that is really beautiful.

Another take on this process was explored by Josh Jakus, a textile designer and fabricator, who used a similar approach to create some gorgeous felt bags a few years back. His bags employ “simpler” cut patterns and the results are less topographical and more sculptural.

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Long Live the Touchscreen?

This headline caught my attention the other day:

Pebble [smart watch] is dead and hardware buttons are going with it: The future is all touchscreen, for better or for worse

Eh not so fast. Sure, it’s true that touchscreens are the status quo for interface design. But as with anything status quo, the players that are invested in it are well positioned to defend it. It’s easy to confuse their power with permanence.

But the status quo changes. There are plenty of artists and inventors working on tangible, gestural, and conversational interfaces that don’t involve touch screens at all. While these inventors acknowledge the economics and reality of the status quo, they don’t let it limit their imagination or their drive to change it.

 

article: Pebble is Dead

for fun: tangible media

 

Inventor Spotlight: Sabine Seymour/SUPA

Dr. Sabine Seymour is the Founder & CEO of SUPA. SUPA designs a modular system of trims (like zippers) that performance apparel companies can integrate into their product line to give it sensing and data tracking capability. Wanna make an impact? Design modular systems with emerging technologies for companies that already have distribution.

Seymour is also the Director of the Fashionable Technology Lab at The New School. Check out more interviews with her in this PBS series called “The Secret Life of Scientists and Engineers.”

embedded video via Forbes, Oct 2017

 

Ithaca is a Maker City

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image source: Maker City by Hirshberg & Dougherty

This past weekend I was invited to share stories about my city, Ithaca, NY, on a panel at World Makerfaire in Queens. The panel was moderated by Peter Hirschberg, a well known urban innovator and co-author of the new book Maker City: Urban Manufacturing and Economic Renewal in American Cities. Hirschberg co-wrote the book with founder of Makerfaire and Make Magazine, Dale Dougherty. They wrote it to capture the momentum from the Maker Cities initiative that was issued by The White House in which mayors all over the country, including our very own Svante Myrick, signed an agreement to support maker culture.

But what is a maker culture? And what does it mean for our city? I have my hand in a few parts of Ithaca’s maker culture and admire it’s many other parts. My sense is that Ithaca has a lot of the pieces in place to elevate the spirit of creativity and invention that is already so deeply embedded here. Let me list some of these pieces that are already here to help us connect the dots, starting with organizations that serve youth to ones that support artists, tinkerers, and inventors–and those that support hardware startups and manufacturing.

We have organizations like The Science Center, Ithaca Physics Bus, and Xraise, who are working hard every day to make sure our young people grow up seeing themselves as STEAM innovators. We have a rich tradition of art and hand craft and music (fun fact: the Moog Synthesizer was invented here). We have Ithaca Generator, a high tech community makerspace right in the heart of downtown and Hammerstone School Carpentry for Women. We have higher education, like Cornell, Ithaca College, and TC3, who foster the integration of creative thinking, technology, and problem solving.

We have programs like Challenge Workforce and Fingerlakes Reuse that train people with disabilities or other job challenges to do product packaging and electronics repair. And we have co-working spaces and business incubators like Rev Ithaca that houses a prototyping lab and hardware accelerator. As far as manufacturing goes, we have contract manufacturers like Wicked Device and Incodema 3D that have manufacturing expertise and specialized tooling.

In addition to our rich maker culture, Ithaca is a walkable city with trails along three waterfalls that run through downtown. We have a flourishing local food scene and arts and culture festivals year round.

So yeah, we’re on the Maker Cities map. Creators and inventors, come check us out. And if you already live here and are interested in invention, be sure to appreciate all that we have because the startups or inventors that have succeeded here didn’t do it alone. They were lifted up by the creative community that we have here in Ithaca. It’s a great place to live and create.

This post was originally posted at IthacaGenerator.org

 

Making Light – Made in USA is alive in The White House and in Ithaca

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Earlier this month we traveled to The White House Office of Science and Technology to take part in a special kick-off event to National Maker Faire. We were thrilled by a panel focused on connecting makers with US Manufacturers. The panel was facilitated by JJ Raynor, Special Assistant to the President for Economic Policy and filled with ‘Made in USA’ trailblazers: Mo Mullen from West Elm Local, Bernie Lynch from Made Right Here, Matthew Burnett from Maker’s Row, and Althea Erickson from Etsy. All of these folks recognize the talent and creativity of our makers and inventors and are hard at work building bridges between makers and US suppliers and manufacturers. The discussion was inspiring!

As you may know, this summer Make Better Stuff is developing a product in the Southern Tier Hardware Accelerator in Ithaca, NY. We’re working on a light that aims to tune our bodies and minds to a slower, more natural sense of time. Above is an early prototype of a kit version. We are developing both a kit version for makers and hanging lamp version for public spaces. As far as the electronics go,  we’ve milled and populated some custom boards on the Othermill we have in the shop. We’ve tested them (they work!) and are ordering a few variations from OSH Park.

While we wait for the boards, we’re getting feedback from potential customers and we’re exploring a range of laser cut designs for the kit version of the light–which sits on a table–and the hanging version. We’re at the point where we need to start putting together a BOM (bill of materials) and that’s where organizations like Maker’s Row, West Elm, and Made Right Here can help us find US suppliers and manufacturers. It’s super exciting. Like a geeky dream come true!

If you’d like to read more about the Southern Tier Hardware Accelerator, then check out their blog right here: http://www.ststartup.com/blog/

More links:

http://revithaca.com/

http://www.westelm.com/shop/collaborations/all-local/

https://www.maderighthere.me/

http://makersrow.com/

https://www.etsy.com/seller-handbook/?ref=ftr

https://www.whitehouse.gov/blog/2015/06/23/seven-days-making

https://othermachine.co/othermill/features/

https://oshpark.com/

From Maker to Manufacture – we speak for the trees!

oak maybe

This summer Jenn C and I are taking a prototype that we made at Ithaca Generator makerspace and developing it for local manufacture and distribution at Rev Ithaca Startup Works in their Hardware Accelerator Program. What’s a Hardware Accelerator Program you ask? It’s like an arts fellowship for product developers. The program offers space, support, materials, and knowledge so that folks can take their prototype to the next level.

The prototype we have is a smart lamp that celebrates leaves. Why leaves? Because civilized people can identify more corporate logos than leaves and that ain’t right.

At present, our prototype is low resolution: the electronics work but they are enclosed in a yogurt container. (It’s empty and clean but still!)

We’ll share evolutions of the product as we go through them. In the mean time, if there’s a leaf that is your favorite, post a pic in the comments. We are collecting…

photo: scanned oak leaves collected from Taughannock Falls State Park in April 2015

3D Printing – what’s the big deal?

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this post first appeared at IthacaGenerator.org

It’s likely that you’ve heard of 3D Printing by now. But for some, the technology still seems mysterious. You may have questions like, “What exactly is 3D Printing” or “Why does 3D Printing matter?” Below are some answers.

HOW THE TECHNOLOGY WORKS. 3D Printing is kind of like a hot glue gun that has the brains of a MRI. Each printer has a heated nozzle in that is fed filament. The heated nozzle extrudes hot plastic  that quickly cools into a solid form. But a 3D Printer isn’t guided by a person’s hand like a glue gun is. A 3D Printer is guided by the X, Y, and Z coordinates of a digital 3D image. It uses these coordinates to move the nozzle and print bed so it can recreate accurate, tangible 3D objects.

A TECHNOLOGY DEMOCRATIZED. 3D Printing has been around for years. But recently the technology has experienced a “democratization.” What does that mean? It means that the technology has changed in two ways:

  1. It’s become really inexpensive
  2. It’s become pretty easy to use

When a technology becomes cheap and easy to use, more and more people get their hands on it and start using it. Thus, it becomes democratized.

WHAT DOES THE TECHNOLOGY AFFORD? For what 3D Printing lacks in speed, it makes up for in customization. If you have a broken part on a stroller, for example, you can 3D scan the broken part, repair the part in 3D software, and print a new part. So it keeps us from having to throw out an entire product just because one little piece is broken. Another custom application we are seeing is the printing of custom prosthetics for children. Before 3D Printing became cheap and easy to use, prosthetics weren’t attainable for children because they would be outgrown at a pace that made the cost not worth the investment.

WHY DOES 3D PRINTING MATTER? It matters because in a pre-3D Printing world, if you wanted to design, make, or distribute a product or part, you needed access to expensive software, machinery, expertise, and distribution channels. Those barriers are dissolving. Now all you need is access to the internet and a device to work on. You can literally design a product on your phone and upload it to a 3D Printer anywhere in the world for manufacture. This opens up the field of product invention to everyday people. And as we’ve seen with previous democratizations of technology like video, everyday people make a lot of cheezy stuff (cat videos), but they make important stuff too (citizen journalism).

HOW CAN I LEARN MORE ABOUT 3D PRINTING? We have two 3D Printers at IG. But better than machines, we have a wealth of expertise. At present, IG Board Member Chris Westling is teaching a class on 3D Printing. He also takes the 3D Printers out on the road: Chris was recently a hit at STEM night in Caroline Elementary Schooland I bet you’ll be seeing him at Ed Tech Day at Ithaca College. Additionally, on Tuesday nights he hosts an open house at the makerspace. Come on down and check it out.

If you’re more of a “learn on your own” type, we recommend you have a look at thingiverse – an open source library of 3D objects. Then hop over to tinkercad and do some of the tutorials to learn the basics of 3D software. Then come on down to IG to print your file or upload it to a service bureau like shapeways.

Do you have an invention you’d love to design and create? If so, share it in the comments!

image from: https://www.etsy.com/shop/wearableplanter?ref=l2-shopheader-name